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Captioned in English

Hands wearing blue protective gloves are carefully handling a traditional "horn hat" with a red top and a decorative, patterned band. The person handling the hat is wearing a dark blue shirt and a red vest, suggesting they may be a professional conservator or curator in a museum setting. The focus on the gloves and the hat emphasizes the care being taken to preserve a culturally significant artifact.

Homecoming

As museums begin to deal with their colonial history, filmmaker Suvi West takes the audience behind the scenes of the museum world, revealing a visual, philosophical, and spiritual realm. She seeks a connection with ancestors through old museum objects, eventually arriving at the collective pain points of the Sámi people.

An individual is standing at an open doorway, facing a balcony and looking out at an urban landscape. The sign above the balcony reads "CHIN WING CHUN SOCIETY" in English and has Chinese characters beneath it. The view includes modern buildings, and the doorway is framed with colourful glass panes, suggesting a traditional or historical setting within a contemporary city environment.

Big Fight in Little Chinatown

All across the globe, Chinatowns are under threat of disappearing – and along with them, the rich history of communities who fought from the margins for a place to belong. Big Fight in Little Chinatown documents the collective fight to save Chinatowns across North America.

A figure with an avant-garde appearance is positioned in the foreground, dressed in what appears to be a white costume with structural, organic shapes enveloping the body and an elaborate headpiece resembling a stylized, textured wig or headdress. The figure's face is painted white, with darkened eyes and lips, and exhibits a neutral expression. The background shows an interior space with curved architecture and multiple people in motion, possibly a subway station or a public concourse, with a softly blurred focus that suggests movement and life happening around the still, striking figure in the foreground.

Queendom

Gena, a Queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. She stages radical performances in public that become a new form of art and activism. The performances—often dark, strange, evocative, and Queer at their core — are a manifestation of Gena’s subconscious. But they come at a price.

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ReFrame Film Festival