fbpx

Art and Culture

Two puppet-like figures with painted faces and exaggerated makeup are positioned close together against a bokeh background with purple and blue hues. The figure on the left has black hair and pink makeup, while the one on the right has bright green hair and darker makeup around the eyes. The facial expressions are fixed and stylized, with a handmade quality to the crafting of their features.

Blush – An Extraordinary Voyage

For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition. For the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.

A person with long dark hair wearing a white sleeveless top and a patterned skirt is standing in a wooded area with lush greenery. They have their eyes closed and hands clasped over their chest in a gesture that suggests contemplation or serenity. Sunlight filters through the trees, highlighting the natural setting and the individual's peaceful pose.

“The Rez”

“Never forget me, remember me, this is your home.”
The Rez” is so much more than the pain inflicted by settler-colonialism. Lewis speaks to her greater community, her love for their strength, and the fight they give to keep the community whole. Identity and community are vital; Lewis embraces both without compromise.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

Hands wearing blue protective gloves are carefully handling a traditional "horn hat" with a red top and a decorative, patterned band. The person handling the hat is wearing a dark blue shirt and a red vest, suggesting they may be a professional conservator or curator in a museum setting. The focus on the gloves and the hat emphasizes the care being taken to preserve a culturally significant artifact.

Homecoming

As museums begin to deal with their colonial history, filmmaker Suvi West takes the audience behind the scenes of the museum world, revealing a visual, philosophical, and spiritual realm. She seeks a connection with ancestors through old museum objects, eventually arriving at the collective pain points of the Sámi people.

An individual is standing at an open doorway, facing a balcony and looking out at an urban landscape. The sign above the balcony reads "CHIN WING CHUN SOCIETY" in English and has Chinese characters beneath it. The view includes modern buildings, and the doorway is framed with colourful glass panes, suggesting a traditional or historical setting within a contemporary city environment.

Big Fight in Little Chinatown

All across the globe, Chinatowns are under threat of disappearing – and along with them, the rich history of communities who fought from the margins for a place to belong. Big Fight in Little Chinatown documents the collective fight to save Chinatowns across North America.

A figure with an avant-garde appearance is positioned in the foreground, dressed in what appears to be a white costume with structural, organic shapes enveloping the body and an elaborate headpiece resembling a stylized, textured wig or headdress. The figure's face is painted white, with darkened eyes and lips, and exhibits a neutral expression. The background shows an interior space with curved architecture and multiple people in motion, possibly a subway station or a public concourse, with a softly blurred focus that suggests movement and life happening around the still, striking figure in the foreground.

Queendom

Gena, a Queer artist from a small town in Russia, dresses in otherworldly costumes made from junk and tape, and protests the government on the streets of Moscow. She stages radical performances in public that become a new form of art and activism. The performances—often dark, strange, evocative, and Queer at their core — are a manifestation of Gena’s subconscious. But they come at a price.

A person stands at the center of a vast, cracked desert landscape under a bright sky with the sun directly behind, casting a long shadow forward. They wear a mid-length dress with a floral pattern and appear barefoot. The horizon is lined with mountains, and the lighting suggests either dawn or dusk due to the warm tones and long shadows. The ground is parched and textured, highlighting the dry environment.

Boil Alert

In Boil Alert, an Indigenous woman goes on a journey through First Nations reservations to shine a light on the devastating struggle for clean water and discovers herself in the process. This poignant exploration illuminates the human dimension of the water crisis in Indigenous communities, as well as the impact it is having upon Native identity.

Guest in attendance, Q&A with Layla Staats and Joshua Neuman

This film is featured during Opening Night.
Please note: opening night tickets are sold separately, and are not included in the purchase of a Festival Pass.

An abstract artwork featuring a mix of textures and patterns. The central figure resembles a dark silhouette of a human profile against a background that includes elements of text, possibly from a map, overlaid with splatters, drips, and strokes of paint.

Ajjigiingiluktaaqtugut (We Are All Different)

What does it mean to be Inuk? Historically depicted as welcoming and friendly people in remote snowy landscapes, in reality, Inuit live across the globe. Using antique wind-up bears, layered animation, and analogue techniques, McIntyre constructs an animated documentary in an exploration of identity and belonging by Inuit, both in and outside of community.

Subscribe to our Newsletter

Join our newsletter to get first dibs on ReFrame news, updates, and special promotions!

     

ReFrame Film Festival