Environmental Justice

A person stands on a rocky outcrop overlooking a breathtaking fjord. The turquoise water of the fjord contrasts sharply with the lush green slopes and the rugged, mist-covered mountain peaks that rise steeply on either side. Clouds partially shroud the mountains, adding a mystical quality to the landscape. The person appears small against the vastness of the natural surroundings, emphasizing the grandeur and scale of the scenery. The overall atmosphere is one of tranquility and awe-inspiring natural beauty.

Songs of Earth

Songs of Earth is a majestic symphony for the big screen. The filmmaker’s father is our guide. Bringing us through Norway’s most scenic valley, he shows us where generations have been living alongside nature to in order to survive. The sounds of earth harmonize together to make music in this breathtaking journey.

An aerial image that captures a striking natural contrast between a turquoise blue body of water and a greyish, textured landscape possibly of sand or silt. In the water, a small figure in a kayak, provides a sense of scale, emphasizing the vastness of the surroundings. The water's vibrant hue suggests it may be rich in minerals or glacially fed, while the sinuous patterns in the grey area indicate the movement of water over time. The scene is serene and appears remote.

Losing Blue

What does it mean to lose a colour? Losing Blue is a cinematic poem about what it means to lose the otherworldly blues of ancient mountain lakes, now fading due to climate change. This short documentary gently asks what it might mean to forget that the ethereal blues of these lakes ever existed.

A BMX rider is captured mid-air performing a stunt, with their body horizontal to the ground and legs kicked out to the side, above a yellow bicycle. The bike's reflection is visible on the wet surface below. The shot is set against an urban park backdrop with historical buildings, bare trees, and a clear blue sky. Onlookers are seen in the distance. The low angle of the photograph emphasizes the height of the jump and the skill of the rider.

The Engine Inside

The Engine Inside tells the stories of six everyday people from all over the globe who reveal the unique power of the bicycle to change lives and build a better world. Through their stories, the film uncovers the often-overlooked potential of this 200-year-old machine, exploring its impact on a wide range of global issues such as physical and mental health, socioeconomic inequality and climate change.

A jellyfish is floating in the water, its dome-shaped bell and trailing tentacles visible. The water around it is speckled with numerous small particles, suggesting plankton or organic debris. The jellyfish is a reddish-brown color, providing a contrast against the deep blue of the ocean. The scene captures the serene, yet alien beauty of marine life in its natural habitat.

Deep Rising

This exquisite fly-on-the-wall environmental doc is a gripping and up-to-the-minute tale of geopolitical, scientific, and corporate intrigue. It exposes the destructive machinations of an organization empowered to extract massive amounts of metals from the deep seafloor.

Silhouetted against a light sky with faint mountain outlines, there is a large, stylized black cutout of a bear with white accents for the bear's eyes, nose, and mouth, giving it a stark, graphic appearance. In the lower left corner, a human hand is visible, holding the bottom edge of the bear silhouette.

Shitty Little

This is a playful, poignant & very memorable live action animation, where humans take from forests whatever they desire – leaving nothing. Shitty Little is critical of a prevalent attitude in western culture that says there is no inherent value in nature, that it must be taken and shaped into a product for sale to have worth.

A sunset over a desert cityscape with the sun low in the sky, casting a warm glow and creating a silhouette of the mountains in the background. There are outlines of buildings and palm trees against the light, and the foreground shows arid terrain with sparse vegetation typical of a desert. In the lower left corner, there's text that reads "HOW TO POWER A CITY," suggesting the image may be related to a documentary or educational content focusing on urban energy topics. The sky above is clear with minimal clouds, allowing the sunlight to dominate the scene.

How To Power A City

How to Power A City provides a front-row seat to communities battling fossil fuel dependence by bringing solar and wind projects to their hometowns. Filmed in six locations, the stories reveal how a diverse cast prevailed against myriad obstacles such as indifferent politicians, technical impasses, public ignorance, cost, and natural and manmade disasters. It is a solutions-focused climate story.

Guest in attendance, Q&A with Melanie La Rosa

A close-up image of a goose with its beak open, revealing the unique structure of its mouth and tongue. The serrated edges inside the beak are visible. The goose's black head with white markings is distinctive, and the texture of its feathers can be seen in detail. The background is blurred.

Modern Goose

Able to navigate by reading the Earth’s magnetic field, at home on land, air and water, geese straddle the territory between ancient instincts and the contemporary world. Combining beauty, humour and profound empathy, director Karsten Wall’s exquisitely observed film essay follows the daily life of these iconic animals to reveal a deeper message of continuity and connection.

A hand with the palm facing forward and fingers slightly apart, set against a backdrop of a rock surface with natural lines and crevices. The lighting is soft and dim, suggesting either early morning or late afternoon, with warm tones that give the skin a reddish hue, contrasting with the cooler tones of the rock. The focus is on the hand, which is centered in the frame, while the rock surface in the background is slightly blurred. The composition is simple and evocative.

There’s Not Much We Can Do

In this personal essay documentary, the director reflects on getting diagnosed with endometriosis through observing the invasive Japanese Knotweed. While the plant is treated with urgency, the disease is met with inaction, prompting us to question the very things we consider “natural” in the first place.

Two kayakers navigate rough waters, their expressions focused and exhilarated. The person in the foreground paddles vigorously, splashes surrounding their red kayak. The person behind, partially obscured by splashing water, also appears engaged in the challenge, maneuvering a red kayak with a blue top deck. The backdrop is full of lush greenery and vegetation.

Paddle Tribal Waters

When the largest dam removal project in history begins, a group of Indigenous youth learn to whitewater kayak in hopes of becoming the first people to paddle the restored river from source to sea. The film gives viewers a bird’s eye view of an unforgettable group of youth training for the adventure of a lifetime.

An individual, likely a mature adult given the visible gray beard and wrinkles, is aiming a laser gun. The device is held up to their face, and their focused gaze is directed towards the target. They are wearing a gray beanie and a dark jacket, and the background is softly blurred with a clear sky, indicating an outdoor setting during the day. The device’s detailed mechanics are visible, emphasizing a the advanced technology.

Eco-Hack!

Deep in the Mojave desert, an unconventional field biologist wages a high-tech war against ravens – laser cannons, drones, exploding turtle shells – in a last ditch effort to save the last few desert tortoises from extinction.

A dog stands atop a vast landscape of debris under a hazy sky, with the sun low on the horizon casting a warm glow over the scene. The landfill is littered with varied waste, and the dog's silhouette is outlined against the bright backdrop of the sun. The atmosphere appears calm yet somber, with the desolation of the waste and the solitary figure of the dog creating a poignant contrast.

Plastic Fantastic

Our planet is permeated with plastic particles. This film follows several people who deal with the disposal of plastic, as well as its production. In the process, the system that causes the mountains of plastic to grow becomes apparent.

A person stands at the center of a vast, cracked desert landscape under a bright sky with the sun directly behind, casting a long shadow forward. They wear a mid-length dress with a floral pattern and appear barefoot. The horizon is lined with mountains, and the lighting suggests either dawn or dusk due to the warm tones and long shadows. The ground is parched and textured, highlighting the dry environment.

Boil Alert

In Boil Alert, an Indigenous woman goes on a journey through First Nations reservations to shine a light on the devastating struggle for clean water and discovers herself in the process. This poignant exploration illuminates the human dimension of the water crisis in Indigenous communities, as well as the impact it is having upon Native identity.

Guest in attendance, Q&A with Layla Staats and Joshua Neuman

This film is featured during Opening Night.
Please note: opening night tickets are sold separately, and are not included in the purchase of a Festival Pass.

Environmental Justice

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