![The interior of a vehicle with three individuals, captured seemingly from a dashboard camera. The face of the person in the front passenger seat is pixelated for privacy. In the back seat, one individual is leaning forward, looking at a map spread out over the center armrest, while another person in the back appears to be looking down, partially obscured from view. The individual examining the map has a beard and wears a dark jacket. The setting seems to be during the day, as daylight is visible through the car windows. The interior of a vehicle with three individuals, captured seemingly from a dashboard camera. The face of the person in the front passenger seat is pixelated for privacy. In the back seat, one individual is leaning forward, looking at a map spread out over the center armrest, while another person in the back appears to be looking down, partially obscured from view. The individual examining the map has a beard and wears a dark jacket. The setting seems to be during the day, as daylight is visible through the car windows.](https://reframefilmfestival.ca/wp-content/uploads/elementor/thumbs/MTT_Stills_6-copy-qhqdm60jahrphreuyoyh5mq6adhnofkri3xmvkj9kw.png)
Manufacturing The Threat
- Amy Miller
- Canada
- 2023
- 85 mins
- Sat Jan 27
- 2:45 PM
- Showplace
Manufacturing the Threat is a thrilling and emotional film, which examines a deeply disturbing episode in Canadian history when an impoverished couple was coerced by undercover law enforcement agents into carrying out a terrorist bombing. Further, viewers learn that this case is far from unique in the context of Canadian intelligence.
Guests in attendance, Q&A with Amy Miller
- English
- Captioned in English
About the Filmmaker
- Filmmaker: Amy Miller
- Producer: Amy Miller
- Other Credits: Cinematographer: Sylvestre Guidi; Editor: Boban Chaldovich
Amy Miller is an award-winning director, producer and writer based in Montréal. Her feature films as director include Manufacturing The Threat, Tomorrow’s Power, No Land. No Food. No Life., The Carbon Rush and Myths for Profit. Her documentaries have been screened at festivals throughout the world, and have been broadcast in over two dozen countries and are included in the library catalogues of hundreds of universities and colleges worldwide. She remains dedicated to creating documentaries for transformative social change.