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Sharp Angles

Close-up of the left side of a person's face, focusing on a clear blue eye. The image captures detailed textures such as skin and eyelashes, with the rest of the face softly out of focus. The background is indistinct, providing a neutral setting that highlights the eye.

Clean

One woman’s love letter and final goodbye to heroin, as she attempts to come off the synthetic opiates that have kept her clean for the past six years. This short documentary attempts to reframe some of the stigmas of addiction, and poses the following question: what does it mean to be ‘clean’?

A black and white photograph of two individuals at a dining table, one of whom is in focus. The person in focus is seated and looking contemplatively to the side, not directly engaging with the other person, who appears to be gesturing with their hand to their head. Above the table hangs a pendant lamp, casting a soft light on the scene. The table has a few items on it, including a clear pitcher, a martini glass, and some drinking glasses, suggesting a social or dining setting. The mood is reflective, with attention drawn to the expressions and body language that suggest a serious or intimate conversation.

Halves & Doubles

Despite the close bond between Adam and her sibling Khadija, there is trauma unspoken between them. In this short documentary, the two hold a conversation where they attempt to find mutual understanding through the winding road of expressing emotions.

A close-up image of a goose with its beak open, revealing the unique structure of its mouth and tongue. The serrated edges inside the beak are visible. The goose's black head with white markings is distinctive, and the texture of its feathers can be seen in detail. The background is blurred.

Modern Goose

Able to navigate by reading the Earth’s magnetic field, at home on land, air and water, geese straddle the territory between ancient instincts and the contemporary world. Combining beauty, humour and profound empathy, director Karsten Wall’s exquisitely observed film essay follows the daily life of these iconic animals to reveal a deeper message of continuity and connection.

A lone white plastic chair sits on a small, narrow balcony with green railings. The balcony is part of a building with a facade of large, beige stone tiles. The viewpoint is from an adjacent building, capturing the scene at a slight angle, which gives a voyeuristic glimpse into this quiet urban space.

A Short Film About a Chair

A lonely chair on an abandoned balcony, a photographer watching it days and nights, a strange thing happens that will change the life of the chair for ever.

A person stands on a balcony with their arms crossed, surrounded by graffiti-covered walls. Behind them, a cityscape with various buildings in different states of construction and maintenance is visible. The contrast between the neglected foreground and the bustling city background highlights a narrative of urban resilience and perhaps social issues. The sunlight casts shadows, adding to the gritty ambiance of the setting.

The Cities I Live In

Newly settled in Belfast, a filmmaker tells his infant twins about his life journey. They see him leaving one violent place for another, longing for places that he will never see again, and hoping they will not carry his curse.

A hand with the palm facing forward and fingers slightly apart, set against a backdrop of a rock surface with natural lines and crevices. The lighting is soft and dim, suggesting either early morning or late afternoon, with warm tones that give the skin a reddish hue, contrasting with the cooler tones of the rock. The focus is on the hand, which is centered in the frame, while the rock surface in the background is slightly blurred. The composition is simple and evocative.

There’s Not Much We Can Do

In this personal essay documentary, the director reflects on getting diagnosed with endometriosis through observing the invasive Japanese Knotweed. While the plant is treated with urgency, the disease is met with inaction, prompting us to question the very things we consider “natural” in the first place.

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ReFrame Film Festival