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Canada

A person wearing glasses and a baseball cap is standing outside, arms crossed, with a slight smile on their face. They are looking off to the side, possibly at something out of the frame. The setting seems to be residential, as they are standing in front of a house with siding and a window reflecting the sky. It appears to be dusk, as the light is soft and a lamp next to the house is illuminated.

Kirby’s House

For twenty years now, Kirby, who has an intellectual disability, has been living on his own and is thriving in his quaint little house on a colourful small-town street. He is surrounded by helpful neighbours and a unique support network that understands the power of community and belonging.

Guest in attendance, Q&A with Rob Viscardis

Two turtles are basking in the sun on a log that extends across a tranquil body of water. The larger turtle is in the foreground with a distinct, patterned shell, and the smaller turtle is directly behind it. The surrounding water reflects the log, turtles, and the dense green foliage above, speckled with sunlight filtering through the leaves. Floating aquatic plants are scattered on the water's surface around the log.

Turtle Crossing

“Now when I close my eyes, I see endless possibilities.”
Taylor recounts his deep reconnection to his Grandma Bernice during a very challenging time in his life. Through his family, Taylor regains a sense of self and community. Taylor’s story demonstrates the importance of connection and ancestry.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

Silhouetted against a light sky with faint mountain outlines, there is a large, stylized black cutout of a bear with white accents for the bear's eyes, nose, and mouth, giving it a stark, graphic appearance. In the lower left corner, a human hand is visible, holding the bottom edge of the bear silhouette.

Shitty Little

This is a playful, poignant & very memorable live action animation, where humans take from forests whatever they desire – leaving nothing. Shitty Little is critical of a prevalent attitude in western culture that says there is no inherent value in nature, that it must be taken and shaped into a product for sale to have worth.

A firefighter is walking through a desolate scene of devastation following a fire. The ground is charred and covered in ash, and there's smoke in the air, obscuring the visibility. Trees and structures appear to be badly burned, with some trees reduced to bare trunks. This image conveys the aftermath of a significant fire event, highlighting the destruction and the ongoing response by emergency services.

Lac-Mégantic

From director Phillipe Falardeau, one of Canada’s most successful and acclaimed contemporary filmmakers, Lac-Mégantic investigates one of the worst oil train tragedies in history, a foreseeable catastrophe ignited by corporate and political negligence. The next Lac-Mégantic is not a matter of if, but when.

A black and white image of a snowy park setting, an individual is seated alone on a picnic table, dressed warmly in a heavy coat with a fur-lined hood, gloves, and a winter hat. The background features leafless trees, indicating it's a cold season, and buildings that suggest an urban environment. The person's posture and the empty park convey a sense of solitude or reflection.

Last Respects

Montreal priest Father Claude Paradis believes that all lives are worthy of respect. So in 2014, he created an annual ceremony to celebrate the lives of the “unclaimed.” Thanks to Father Paradis’ compassionate gesture, these people are granted a final moment of dignity.

Guests in attendance, Q&A with Megan Durnford

A close-up image of a goose with its beak open, revealing the unique structure of its mouth and tongue. The serrated edges inside the beak are visible. The goose's black head with white markings is distinctive, and the texture of its feathers can be seen in detail. The background is blurred.

Modern Goose

Able to navigate by reading the Earth’s magnetic field, at home on land, air and water, geese straddle the territory between ancient instincts and the contemporary world. Combining beauty, humour and profound empathy, director Karsten Wall’s exquisitely observed film essay follows the daily life of these iconic animals to reveal a deeper message of continuity and connection.

A group of individuals is seated at a long table set with a white tablecloth, in what appears to be a social gathering. On the table, there are candles, glasses, and dishes suggesting the meal is either in progress or has just concluded. The attendees are dressed in a variety of attire, ranging from formal to semi-formal. The atmosphere is convivial, with some individuals engaged in conversation. The background is a plain wall, giving the scene a simple and focused ambiance on the gathering.

The Best of Both Worlds

“During my employment, I was able to learn my culture on a daily basis while coordinating programs with community workers and provincial agencies.”
Taylor offers a glimpse into her extensive work with the Anishinabek Nation (formerly Union of Ontario Indians) in implementing the Ontario Indigenous Healing and Wellness Strategy. During her involvement, Taylor witnessed the government’s acknowledgement of Traditional Healers and First Nations communities’ reclaiming of their Anishinaabe Knowledge.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

Two individuals are sitting close together on a high ledge, looking out over a desert-like landscape with sand dunes stretching towards the horizon. The sky is a warm, hazy orange, possibly indicating either sunrise or sunset. The companionship between the two figures is emphasized by one person's arm around the other, suggesting a moment of shared experience or reflection in a vast and tranquil environment.

Madeleine

Each week, two friends born 67 years apart share their life stories in the living room of a seniors’ residence. When Raquel finds a way to bring Madeleine with her on a road trip to the sea, the result is a journey that plays with reality and fiction and brings a reflection on life, death and the certainty that there is always something to learn along the way.

Four individuals are seated around a dining table in a dimly lit room that suggests a vintage or historical setting. The warm glow from the windows, adorned with patterned stained glass, provides natural light. The room is decorated with patterned wallpaper, and there are traditional furnishings and decorations, including a cabinet and a clock on the wall, which contribute to the room's old-fashioned ambiance. The scene has a calm and intimate feel, with the focus on the people at the table, possibly engaged in conversation over a meal.

Demon Box

After festival rejections, a director revises his intensely personal short film about trauma, suicide, and the Holocaust. He transforms the film into a painful, blunt and funny dissection of itself, and of his own life. Ten years in the making.

Guests in attendance, Q&A with Sean Wainsteim

An individual with short curly hair is posing with one arm extended, wearing a black sleeveless top. They are outdoors, with a backdrop of greenery and urban structures, possibly on a rooftop. The person's expression is poised and serene, and the lighting suggests it could be late afternoon or early evening. The scene conveys a sense of calm confidence and the outdoors setting provides a relaxed atmosphere.

Maboungou: Being in the World

Dive into the resonant universe of Montréal-based choreographer and philosopher Zab Maboungou, of Franco-Congolese origin. For over thirty years, she has galvanized the contemporary dance scene with her radically regrounded conception of time, the body, and the self. Her political history, artistry, and pioneering research have empowered other African artists around the world.

 Guests in attendance, Q&A with Philip Szporer and Marlene Miller

Join us for a workshop with the creators of this film.
Performing Arts Documentary with Mouvement Perpétuel

A person stands outdoors holding a large feather and a decorated wooden box with a painted floral design. They are wearing a white button-up shirt, glasses, and have a pendant necklace of a tree. The environment includes a green tree, a house with a porch in the background, and foliage near the building's foundation. The person's expression is serious and they look directly at the camera.

My Beginnings

“You have the love and respect of your grandparents, and eventually that’s what you become.”
Knott explores her beginnings with family and love through their connection to one another, Land, water, plants, and animals. There is loss and reconnection, while also building courage “to take back my life.” The spiritual cycle continues.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

A person with braided hair is standing at a locker, looking over their shoulder with a contemplative expression. They are wearing casual clothing and a backpack, indicating they could be a student. The hallway in the background is blurred.

Loud & Here

After noticing too many cases of sexual violence going unreported or unpunished within their own schools, 23 teen girls decided to take matters into their own hands to make meaningful changes to school board policy across Québec.

Viewed through multiple circular vignettes, the image captures an individual engaged in the process of hide tanning. The person is wearing a red plaid jacket and a warm cap, indicating a cold environment with snow on the ground. They are using tools to scrape and work on the hide, which is stretched out on a frame. Each circular frame overlaps to create a collage effect, showcasing different stages or angles of the hide tanning process.

My Storytelling

“Using my hands are very important to me.”
Knott recounts her history, intertwined with her family and community through a motif of hands that work and create. Highlighting her mother’s highly skilled, detail-oriented, and artful moccasin-making, Knott continues that work of care. To love is to touch, forming a connection with the earth, and those you care for.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

A person with long dark hair wearing a white sleeveless top and a patterned skirt is standing in a wooded area with lush greenery. They have their eyes closed and hands clasped over their chest in a gesture that suggests contemplation or serenity. Sunlight filters through the trees, highlighting the natural setting and the individual's peaceful pose.

“The Rez”

“Never forget me, remember me, this is your home.”
The Rez” is so much more than the pain inflicted by settler-colonialism. Lewis speaks to her greater community, her love for their strength, and the fight they give to keep the community whole. Identity and community are vital; Lewis embraces both without compromise.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

An individual is standing at an open doorway, facing a balcony and looking out at an urban landscape. The sign above the balcony reads "CHIN WING CHUN SOCIETY" in English and has Chinese characters beneath it. The view includes modern buildings, and the doorway is framed with colourful glass panes, suggesting a traditional or historical setting within a contemporary city environment.

Big Fight in Little Chinatown

All across the globe, Chinatowns are under threat of disappearing – and along with them, the rich history of communities who fought from the margins for a place to belong. Big Fight in Little Chinatown documents the collective fight to save Chinatowns across North America.

A person stands at the center of a vast, cracked desert landscape under a bright sky with the sun directly behind, casting a long shadow forward. They wear a mid-length dress with a floral pattern and appear barefoot. The horizon is lined with mountains, and the lighting suggests either dawn or dusk due to the warm tones and long shadows. The ground is parched and textured, highlighting the dry environment.

Boil Alert

In Boil Alert, an Indigenous woman goes on a journey through First Nations reservations to shine a light on the devastating struggle for clean water and discovers herself in the process. This poignant exploration illuminates the human dimension of the water crisis in Indigenous communities, as well as the impact it is having upon Native identity.

Guest in attendance, Q&A with Layla Staats and Joshua Neuman

This film is featured during Opening Night.
Please note: opening night tickets are sold separately, and are not included in the purchase of a Festival Pass.

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