At Aunty Gladys’ funeral, Archer Pechawis heard a tap on the window — it was a bear named Jesus. This film is an allegory for religious interference, with an aching yet humorous look at estrangement, and mourning for the loss of someone still living.
Heart Like A Pow Wow explores the depths of grief from an Anishinaabe perspective of love and family. Viewers are called to witness Spirit as they shift to physical form while embodying the love that precedes grief and inevitably foreshadows it.
From the disappearing wildlife in his hometown of Owen Sound to the news stories about the melting of Greenland, psychotherapist Anderson Todd tells us how fragmenting ecosystems around the world have affected his psyche and his relationships. Do the realities of collapse necessarily spell paralyzing despair, or is there something positive we can take from this?
Guest in attendance, Q&A with Chen Sing Yap
This is a playful, poignant & very memorable live action animation, where humans take from forests whatever they desire – leaving nothing. Shitty Little is critical of a prevalent attitude in western culture that says there is no inherent value in nature, that it must be taken and shaped into a product for sale to have worth.
Each week, two friends born 67 years apart share their life stories in the living room of a seniors’ residence. When Raquel finds a way to bring Madeleine with her on a road trip to the sea, the result is a journey that plays with reality and fiction and brings a reflection on life, death and the certainty that there is always something to learn along the way.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition. For the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
What does it mean to be Inuk? Historically depicted as welcoming and friendly people in remote snowy landscapes, in reality, Inuit live across the globe. Using antique wind-up bears, layered animation, and analogue techniques, McIntyre constructs an animated documentary in an exploration of identity and belonging by Inuit, both in and outside of community.