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Sat Jan 27

An adult and a child are walking hand in hand down a dusty rural path. The adult is wearing a white t-shirt with a logo, khaki pants, a cap, and sunglasses, and is carrying a backpack and a camera. The child is dressed in a striped school uniform and carrying a lollipop. In the background, there is a vehicle driving behind them. Beyond the vehicle stretches a landscape of rolling hills and sparse vegetation under a clear sky suggesting a warm, dry climate.

Sarura. The future is an unknown place

At the gates of the Negev desert, a group of young Palestinians fight against the Israeli military occupation. The “Youth of Sumud” – youth of steadfast perseverance – try to return to their people the land that was taken from their families, restructuring the ancient cave village of Sarura. They face aggression with nonviolent action, defending themselves from rifles with their video cameras.

Guest in attendance, Q&A with Nicola Zambelli

Three individuals are standing in a triangle for what appears to be a knighting ceremony. One person is turned away from the camera, showing only their back. On top of their shoulder lays the end of a sword, held by the person across from them. That person is standing with a serious demeanor, dressed in a biker-style vest with various patches. The third person stands to the right of the biker, staring at the sword with a focused expression.

Praying For Armageddon

The Countdown to Armageddon has begun. As biblical prophecy fuels political power, American Evangelicals threaten U.S. democracy and push for the Apocalypse in the Middle East. With close-quarters journalism, this feature documentary takes a deep dive into power and policy, and investigates the dangerous consequences of a fusion between Evangelical Christianity and American politics.

A swimmer is resting at the edge of a swimming pool, wearing a white swim cap with "R.O.T. MARDINI" printed on it alongside the Olympic rings and a logo for the brand "arena". The swimmer is leaning their arms on the poolside and has their face turned to one side, looking thoughtful or focused. Water droplets are visible on the swimmer's cap, indicating recent activity in the pool. The pool water has a bright blue color, which suggests an indoor setting with good lighting.

Long Distance Swimmer – Sara Mardini

Sara Mardini, once a competitive swimmer in Syria, became Europe’s most celebrated refugee after saving 18 people’s lives. After working as a rescue volunteer in the Mediterranean, she is accused of people smuggling and faces a 25-year prison sentence. We follow her fight for justice and journey of self-discovery against the backdrop of Europe’s refugee ‘crisis’.

In a dimly lit pub, a group of people are gathered, some sitting and some standing. The focus is on a person playing a banjo in the center, surrounded by onlookers who are attentively listening or waiting their turn to perform. The mood is casual and communal, typical of an informal music session. The image is monochromatic, which adds a timeless and candid feel to the scene.

North Circular

Those in power write the history. Those who struggle write the songs. North Circular is a documentary musical that travels the length of Dublin’s North Circular Road, from the Phoenix Park to Dublin Port, exploring the history, music and streetscapes of a street that links some of the country’s most beloved and infamous places.

A minimalist artistic illustration depicting a series of wavy, horizontal lines against a dark blue background, representing hills. Scattered across the hills are simple, triangular shapes that suggest trees. Above this tranquil scene, there are multiple round shapes with a textured appearance, representing moons or celestial bodies. The use of light greenish-yellow for these elements creates a striking contrast with the dark background, giving the impression of a night scene. The composition is serene, with a whimsical or dreamlike quality.

There Are Hierarchies of Grief

Smokii Sumac reflects on the wisdom and strength of bereaved mothers, as he is faced with the grief of waking up to a changed world–the day after Donald Trump was elected as President of the United States. There have been mornings worse than this one.

The interior of a vehicle with three individuals, captured seemingly from a dashboard camera. The face of the person in the front passenger seat is pixelated for privacy. In the back seat, one individual is leaning forward, looking at a map spread out over the center armrest, while another person in the back appears to be looking down, partially obscured from view. The individual examining the map has a beard and wears a dark jacket. The setting seems to be during the day, as daylight is visible through the car windows.

Manufacturing The Threat

Manufacturing the Threat is a thrilling and emotional film, which examines a deeply disturbing episode in Canadian history when an impoverished couple was coerced by undercover law enforcement agents into carrying out a terrorist bombing. Further, viewers learn that this case is far from unique in the context of Canadian intelligence.

Guests in attendance, Q&A with Amy Miller

A jellyfish is floating in the water, its dome-shaped bell and trailing tentacles visible. The water around it is speckled with numerous small particles, suggesting plankton or organic debris. The jellyfish is a reddish-brown color, providing a contrast against the deep blue of the ocean. The scene captures the serene, yet alien beauty of marine life in its natural habitat.

Deep Rising

This exquisite fly-on-the-wall environmental doc is a gripping and up-to-the-minute tale of geopolitical, scientific, and corporate intrigue. It exposes the destructive machinations of an organization empowered to extract massive amounts of metals from the deep seafloor.

A close-up of a woman's back in a sauna, with water droplets cascading down their skin in a spray of light against a dark background. Sunlight filters through a window, highlighting the water's motion and creating a contrast with the shadows in the room. The focus on the water droplets gives the scene a dynamic and intimate quality.

Smoke Sauna Sisterhood

In the darkness of smoke sauna, women share their innermost secrets and intimate experiences. Through a sense of communion, women wash off the shame trapped in their bodies and regain their strength.

A person is seated on a curb in a parking lot, wearing a tie-dye dress and sandals, with a small blue handbag next to them. They have a tattoo on their arm and are wearing a name tag sticker. The person looks off to the side with a thoughtful expression. Behind them, there is a car parked and trees that suggest the area could be near an office or a public building. The setting appears to be during the day with overcast weather.

Is There Anybody Out There?

While navigating daily discrimination, a filmmaker who inhabits and loves her unusual body searches the world for another person like her, and explores what it takes to love oneself fiercely despite the pervasiveness of ableism.

A person wearing glasses and a baseball cap is standing outside, arms crossed, with a slight smile on their face. They are looking off to the side, possibly at something out of the frame. The setting seems to be residential, as they are standing in front of a house with siding and a window reflecting the sky. It appears to be dusk, as the light is soft and a lamp next to the house is illuminated.

Kirby’s House

For twenty years now, Kirby, who has an intellectual disability, has been living on his own and is thriving in his quaint little house on a colourful small-town street. He is surrounded by helpful neighbours and a unique support network that understands the power of community and belonging.

Guest in attendance, Q&A with Rob Viscardis

Two turtles are basking in the sun on a log that extends across a tranquil body of water. The larger turtle is in the foreground with a distinct, patterned shell, and the smaller turtle is directly behind it. The surrounding water reflects the log, turtles, and the dense green foliage above, speckled with sunlight filtering through the leaves. Floating aquatic plants are scattered on the water's surface around the log.

Turtle Crossing

“Now when I close my eyes, I see endless possibilities.”
Taylor recounts his deep reconnection to his Grandma Bernice during a very challenging time in his life. Through his family, Taylor regains a sense of self and community. Taylor’s story demonstrates the importance of connection and ancestry.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

A black and white image of a snowy park setting, an individual is seated alone on a picnic table, dressed warmly in a heavy coat with a fur-lined hood, gloves, and a winter hat. The background features leafless trees, indicating it's a cold season, and buildings that suggest an urban environment. The person's posture and the empty park convey a sense of solitude or reflection.

Last Respects

Montreal priest Father Claude Paradis believes that all lives are worthy of respect. So in 2014, he created an annual ceremony to celebrate the lives of the “unclaimed.” Thanks to Father Paradis’ compassionate gesture, these people are granted a final moment of dignity.

Guests in attendance, Q&A with Megan Durnford

A group of individuals is seated at a long table set with a white tablecloth, in what appears to be a social gathering. On the table, there are candles, glasses, and dishes suggesting the meal is either in progress or has just concluded. The attendees are dressed in a variety of attire, ranging from formal to semi-formal. The atmosphere is convivial, with some individuals engaged in conversation. The background is a plain wall, giving the scene a simple and focused ambiance on the gathering.

The Best of Both Worlds

“During my employment, I was able to learn my culture on a daily basis while coordinating programs with community workers and provincial agencies.”
Taylor offers a glimpse into her extensive work with the Anishinabek Nation (formerly Union of Ontario Indians) in implementing the Ontario Indigenous Healing and Wellness Strategy. During her involvement, Taylor witnessed the government’s acknowledgement of Traditional Healers and First Nations communities’ reclaiming of their Anishinaabe Knowledge.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

A person stands outdoors holding a large feather and a decorated wooden box with a painted floral design. They are wearing a white button-up shirt, glasses, and have a pendant necklace of a tree. The environment includes a green tree, a house with a porch in the background, and foliage near the building's foundation. The person's expression is serious and they look directly at the camera.

My Beginnings

“You have the love and respect of your grandparents, and eventually that’s what you become.”
Knott explores her beginnings with family and love through their connection to one another, Land, water, plants, and animals. There is loss and reconnection, while also building courage “to take back my life.” The spiritual cycle continues.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

Viewed through multiple circular vignettes, the image captures an individual engaged in the process of hide tanning. The person is wearing a red plaid jacket and a warm cap, indicating a cold environment with snow on the ground. They are using tools to scrape and work on the hide, which is stretched out on a frame. Each circular frame overlaps to create a collage effect, showcasing different stages or angles of the hide tanning process.

My Storytelling

“Using my hands are very important to me.”
Knott recounts her history, intertwined with her family and community through a motif of hands that work and create. Highlighting her mother’s highly skilled, detail-oriented, and artful moccasin-making, Knott continues that work of care. To love is to touch, forming a connection with the earth, and those you care for.

PANEL: Wshkiigmong Dibaajmownan/Curve Lake Storytelling

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