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Sun Jan 28

An image of a person wearing a top hat, glasses, and black and white scarf. To their left is a red tickle trunk with flowers painted onto it. The trunk is full of colourful clothes spilling over the edge. The person has on a fantastical black top, making it seem like they have six arms with white gloves covering the hands. In the background are shelves full of stuffed animals and other toys.

Mr. Dressup: The Magic of Make Believe

Based on the life and career of legendary Canadian children’s entertainer Ernie Coombs—or, as he is more commonly known by millions of fans, Mr. Dressup, this documentary celebrates the origins and history of one of Canada’s most beloved CBC children shows, which enriched the lives of five generations. This film celebrates the expansiveness of gender, and has special connections to the Nogojiwanong community.

Guest in attendance, Q&A with Greg Floyd.

A composite image with a double exposure effect. In the foreground, a translucent image of a human hand holding a bunch of wildflowers with purple blooms is superimposed. Behind this, a rural landscape unfolds, featuring a field of golden-hued grass leading to rustic wooden buildings that appear to be barns or farmhouses. The background scene is in sharp focus, with clear blue skies above and the structures casting shadows on the grass, indicating sunlight coming from the left. The overall effect is ethereal and artistic, with the hand and flowers adding a touch of delicate human presence to the rugged countryside setting.

This is What the World Looks Like When You’re Gone

When we lose someone, the world ticks on just the same. But for those left behind everything is entirely changed. This is What the World Looks Like When You’re Gone is a beautifully made, contemplative look at love, loss and family.

Guest in attendance, Q&A with Steen Star

A person stands on a rocky outcrop overlooking a breathtaking fjord. The turquoise water of the fjord contrasts sharply with the lush green slopes and the rugged, mist-covered mountain peaks that rise steeply on either side. Clouds partially shroud the mountains, adding a mystical quality to the landscape. The person appears small against the vastness of the natural surroundings, emphasizing the grandeur and scale of the scenery. The overall atmosphere is one of tranquility and awe-inspiring natural beauty.

Songs of Earth

Songs of Earth is a majestic symphony for the big screen. The filmmaker’s father is our guide. Bringing us through Norway’s most scenic valley, he shows us where generations have been living alongside nature to in order to survive. The sounds of earth harmonize together to make music in this breathtaking journey.

An aerial image that captures a striking natural contrast between a turquoise blue body of water and a greyish, textured landscape possibly of sand or silt. In the water, a small figure in a kayak, provides a sense of scale, emphasizing the vastness of the surroundings. The water's vibrant hue suggests it may be rich in minerals or glacially fed, while the sinuous patterns in the grey area indicate the movement of water over time. The scene is serene and appears remote.

Losing Blue

What does it mean to lose a colour? Losing Blue is a cinematic poem about what it means to lose the otherworldly blues of ancient mountain lakes, now fading due to climate change. This short documentary gently asks what it might mean to forget that the ethereal blues of these lakes ever existed.

A person wearing a cap, glasses, and a cross necklace is seated beside a large figure in a bear costume. The bear figure is standing on two legs, with one arm raised and the other extended forward, displaying claws. Both figures are set against a blue-tinted backdrop with silhouetted foliage, creating a surreal, nocturnal scene.

A Bear Named Jesus

At Aunty Gladys’ funeral, Archer Pechawis heard a tap on the window — it was a bear named Jesus. This film is an allegory for religious interference, with an aching yet humorous look at estrangement, and mourning for the loss of someone still living.

The image depicts an illustrated character wearing a traditional Anishinaabe headdress with a single feather extending upwards. The character has a solemn expression and has bright blue tears streaming down their face. Their left hand is placed over their chest, which is also glowing in blue light. They are set against a starry night sky, adding a serene or contemplative mood to the image. The character’s attire includes decorative elements and vibrant colours, suggesting a cultural or ceremonial significance.

Heart Like a Pow Wow

Heart Like A Pow Wow explores the depths of grief from an Anishinaabe perspective of love and family. Viewers are called to witness Spirit as they shift to physical form while embodying the love that precedes grief and inevitably foreshadows it.

A collage with a silhouette of a person with their head in their hands, suggesting despair or anxiety. Their body is filled with various images against a pixelated, digital background. The silhouette's head contains an image of a melting glacier, and in their eye glasses, a forest fire rages. The torso contains a turbulent tornado. The legs of the silhouette are filled with an image of a landfill showing scattered debris and a piece of machinery. The overall composition has a surreal or abstract quality, blending human form with environmental imagery.

Feeling the Apocalypse

From the disappearing wildlife in his hometown of Owen Sound to the news stories about the melting of Greenland, psychotherapist Anderson Todd tells us how fragmenting ecosystems around the world have affected his psyche and his relationships. Do the realities of collapse necessarily spell paralyzing despair, or is there something positive we can take from this?

Guest in attendance, Q&A with Chen Sing Yap

A close-up of someone's hands over a sheet of paper with handwritten notes, likely lyrics or music notes, as suggested by the presence of a guitar in the background. The person has several rings on their fingers and is holding a pen, possibly in the process of writing or editing the notes. The setting appears to be a wooden table, with another sheet of paper and a mug partially visible in the background, creating a casual and creative atmosphere.

The Legacy Song Project: Atlantic Chapter

Featuring the profound stories of 8 Atlantic Canadians, and the work of musician Sarah McInnis, The Legacy Song Project: Atlantic Chapter explores death, dying, grief, loss, and love, through the transformational lenses of documentary film and songwriting.

A live performance with Sarah McInnis accompanies this screening.

A group of soccer players are huddled together, celebrating near the edge of the field. They are surrounded by vibrant flares and smoke, mostly in red, adding to the dramatic atmosphere. In the background, the crowd is animated, with some fans waving flags energetically. The scene is at night, under artificial lighting, and captures the energy and excitement typical of a soccer match.

Allihopa: The Dalkurd Story

The inspirational story of The Dalkurd Football Club, a scrappy group of Kurdish refugees in Sweden who defy all odds to climb the ranks of Sweden’s soccer leagues in hopes of becoming champions, and bringing glory and attention to the plight of their stateless people.

Register for the virtual Q&A | Wednesday, Jan 31 at 5:30PM EST

An individual with a beard and a receding hairline is sitting on a yellow couch, wearing a denim jacket over a yellow shirt. They are raising their right hand with an open palm towards the camera in a greeting or waving gesture. The person is smiling and looking directly at the camera. In the background, there's a bookshelf filled with books and a painting of a forest scene, suggesting a cozy, lived-in space. The lighting is bright and even, indicative of an indoor setting.

Dear Ani

For twenty-five years Keith Wasserman has made and delivered elaborate art mail packages – all in the hopes of befriending his muse. Dear Ani explores what can happen when you present your truest self, and risk total failure. It is an intimate account of psychotic mania, personal mastery, and creative triumph.

A person's hand is gently touching the cheek of a large, unfinished sculpted head and shoulders. The sculpture is highly detailed, with lifelike facial features, and it is mounted on a stand. In the background, there is an assortment of artistic materials and another bust sculpture, indicating that the setting is likely an artist's studio.

Alive in Bronze

Sculptor Dana King’s hands and activist Fredrika Newton’s memories come together to build a new monument—a bust of Black Panther Party leader Huey P. Newton for the Oakland community that he loved and shaped. As the sculpture takes form, more than just a face is revealed.

Silhouetted against a light sky with faint mountain outlines, there is a large, stylized black cutout of a bear with white accents for the bear's eyes, nose, and mouth, giving it a stark, graphic appearance. In the lower left corner, a human hand is visible, holding the bottom edge of the bear silhouette.

Shitty Little

This is a playful, poignant & very memorable live action animation, where humans take from forests whatever they desire – leaving nothing. Shitty Little is critical of a prevalent attitude in western culture that says there is no inherent value in nature, that it must be taken and shaped into a product for sale to have worth.

A firefighter is walking through a desolate scene of devastation following a fire. The ground is charred and covered in ash, and there's smoke in the air, obscuring the visibility. Trees and structures appear to be badly burned, with some trees reduced to bare trunks. This image conveys the aftermath of a significant fire event, highlighting the destruction and the ongoing response by emergency services.

Lac-Mégantic

From director Phillipe Falardeau, one of Canada’s most successful and acclaimed contemporary filmmakers, Lac-Mégantic investigates one of the worst oil train tragedies in history, a foreseeable catastrophe ignited by corporate and political negligence. The next Lac-Mégantic is not a matter of if, but when.

Two individuals are sitting close together on a high ledge, looking out over a desert-like landscape with sand dunes stretching towards the horizon. The sky is a warm, hazy orange, possibly indicating either sunrise or sunset. The companionship between the two figures is emphasized by one person's arm around the other, suggesting a moment of shared experience or reflection in a vast and tranquil environment.

Madeleine

Each week, two friends born 67 years apart share their life stories in the living room of a seniors’ residence. When Raquel finds a way to bring Madeleine with her on a road trip to the sea, the result is a journey that plays with reality and fiction and brings a reflection on life, death and the certainty that there is always something to learn along the way.

Four individuals are seated around a dining table in a dimly lit room that suggests a vintage or historical setting. The warm glow from the windows, adorned with patterned stained glass, provides natural light. The room is decorated with patterned wallpaper, and there are traditional furnishings and decorations, including a cabinet and a clock on the wall, which contribute to the room's old-fashioned ambiance. The scene has a calm and intimate feel, with the focus on the people at the table, possibly engaged in conversation over a meal.

Demon Box

After festival rejections, a director revises his intensely personal short film about trauma, suicide, and the Holocaust. He transforms the film into a painful, blunt and funny dissection of itself, and of his own life. Ten years in the making.

Guests in attendance, Q&A with Sean Wainsteim

A woman stands outside a brick building, holding a box of Playtex tampons and a long printed receipt. They are smiling at the camera, dressed in a cozy, textured beige jacket with a navy blue top visible underneath. Their curly hair is pulled back from their face, and they wear round earrings.

Periodical

Periodical tells the unexpected story of the human body by exploring the marvel and mystery of the menstrual cycle, from first period to last. Lina Lyte Plioplyte’s innovative documentary uncovers shocking truths, challenges taboos, and celebrates the end of centuries of societal stigma.

Related VIRTUAL WORKSHOP: Period Poverty & Advocacy | Tuesday, Jan 30 at 7:00PM EST – Pre-register now!

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