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An adult and a child are walking hand in hand down a dusty rural path. The adult is wearing a white t-shirt with a logo, khaki pants, a cap, and sunglasses, and is carrying a backpack and a camera. The child is dressed in a striped school uniform and carrying a lollipop. In the background, there is a vehicle driving behind them. Beyond the vehicle stretches a landscape of rolling hills and sparse vegetation under a clear sky suggesting a warm, dry climate.

Sarura. The future is an unknown place

At the gates of the Negev desert, a group of young Palestinians fight against the Israeli military occupation. The “Youth of Sumud” – youth of steadfast perseverance – try to return to their people the land that was taken from their families, restructuring the ancient cave village of Sarura. They face aggression with nonviolent action, defending themselves from rifles with their video cameras.

Guest in attendance, Q&A with Nicola Zambelli

A swimmer is resting at the edge of a swimming pool, wearing a white swim cap with "R.O.T. MARDINI" printed on it alongside the Olympic rings and a logo for the brand "arena". The swimmer is leaning their arms on the poolside and has their face turned to one side, looking thoughtful or focused. Water droplets are visible on the swimmer's cap, indicating recent activity in the pool. The pool water has a bright blue color, which suggests an indoor setting with good lighting.

Long Distance Swimmer – Sara Mardini

Sara Mardini, once a competitive swimmer in Syria, became Europe’s most celebrated refugee after saving 18 people’s lives. After working as a rescue volunteer in the Mediterranean, she is accused of people smuggling and faces a 25-year prison sentence. We follow her fight for justice and journey of self-discovery against the backdrop of Europe’s refugee ‘crisis’.

The photo shows the lower half of an individual walking with the aid of a prosthetic leg. The person is wearing shorts, a single black sock, and black shoes. The flooring is a smooth, reflective surface, and there are handrails alongside, suggesting a rehabilitation facility or a space designed for physical therapy. The focus on the prosthetic leg highlights themes of mobility, recovery, and adaptive technology.

Fitting

Fitting explores the relationship between the director, an amputee, and her prosthetist during the making of a prosthetic leg. It demystifies an unfamiliar space and asks what it means to create an extension to someone else’s body, questioning prejudice widely seen within our society’s consideration of body image.

In a dimly lit pub, a group of people are gathered, some sitting and some standing. The focus is on a person playing a banjo in the center, surrounded by onlookers who are attentively listening or waiting their turn to perform. The mood is casual and communal, typical of an informal music session. The image is monochromatic, which adds a timeless and candid feel to the scene.

North Circular

Those in power write the history. Those who struggle write the songs. North Circular is a documentary musical that travels the length of Dublin’s North Circular Road, from the Phoenix Park to Dublin Port, exploring the history, music and streetscapes of a street that links some of the country’s most beloved and infamous places.

An aerial image that captures a striking natural contrast between a turquoise blue body of water and a greyish, textured landscape possibly of sand or silt. In the water, a small figure in a kayak, provides a sense of scale, emphasizing the vastness of the surroundings. The water's vibrant hue suggests it may be rich in minerals or glacially fed, while the sinuous patterns in the grey area indicate the movement of water over time. The scene is serene and appears remote.

Losing Blue

What does it mean to lose a colour? Losing Blue is a cinematic poem about what it means to lose the otherworldly blues of ancient mountain lakes, now fading due to climate change. This short documentary gently asks what it might mean to forget that the ethereal blues of these lakes ever existed.

Close-up of the left side of a person's face, focusing on a clear blue eye. The image captures detailed textures such as skin and eyelashes, with the rest of the face softly out of focus. The background is indistinct, providing a neutral setting that highlights the eye.

Clean

One woman’s love letter and final goodbye to heroin, as she attempts to come off the synthetic opiates that have kept her clean for the past six years. This short documentary attempts to reframe some of the stigmas of addiction, and poses the following question: what does it mean to be ‘clean’?

A group of people dressed in casual attire is gathered outdoors holding a banner that reads, "Women for Life on Earth Peace March '81". The banner features symbols of peace and the Earth. The setting is a sunny day with trees and open skies in the background.

Sew to Say

Thalia is an artist, banner-maker, and one of the original marchers and founders of a women-only peace camp against nuclear weapons. In this film, Thalia shares the untold story of the longest feminist protest in British history, and reflects on how collective action changed the lives of the women of Greenham Common and inspired several generations.

A collage with a silhouette of a person with their head in their hands, suggesting despair or anxiety. Their body is filled with various images against a pixelated, digital background. The silhouette's head contains an image of a melting glacier, and in their eye glasses, a forest fire rages. The torso contains a turbulent tornado. The legs of the silhouette are filled with an image of a landfill showing scattered debris and a piece of machinery. The overall composition has a surreal or abstract quality, blending human form with environmental imagery.

Feeling the Apocalypse

From the disappearing wildlife in his hometown of Owen Sound to the news stories about the melting of Greenland, psychotherapist Anderson Todd tells us how fragmenting ecosystems around the world have affected his psyche and his relationships. Do the realities of collapse necessarily spell paralyzing despair, or is there something positive we can take from this?

Guest in attendance, Q&A with Chen Sing Yap

A group of soccer players are huddled together, celebrating near the edge of the field. They are surrounded by vibrant flares and smoke, mostly in red, adding to the dramatic atmosphere. In the background, the crowd is animated, with some fans waving flags energetically. The scene is at night, under artificial lighting, and captures the energy and excitement typical of a soccer match.

Allihopa: The Dalkurd Story

The inspirational story of The Dalkurd Football Club, a scrappy group of Kurdish refugees in Sweden who defy all odds to climb the ranks of Sweden’s soccer leagues in hopes of becoming champions, and bringing glory and attention to the plight of their stateless people.

Register for the virtual Q&A | Wednesday, Jan 31 at 5:30PM EST

A person wearing glasses and a baseball cap is standing outside, arms crossed, with a slight smile on their face. They are looking off to the side, possibly at something out of the frame. The setting seems to be residential, as they are standing in front of a house with siding and a window reflecting the sky. It appears to be dusk, as the light is soft and a lamp next to the house is illuminated.

Kirby’s House

For twenty years now, Kirby, who has an intellectual disability, has been living on his own and is thriving in his quaint little house on a colourful small-town street. He is surrounded by helpful neighbours and a unique support network that understands the power of community and belonging.

Guest in attendance, Q&A with Rob Viscardis

An individual with a beard and a receding hairline is sitting on a yellow couch, wearing a denim jacket over a yellow shirt. They are raising their right hand with an open palm towards the camera in a greeting or waving gesture. The person is smiling and looking directly at the camera. In the background, there's a bookshelf filled with books and a painting of a forest scene, suggesting a cozy, lived-in space. The lighting is bright and even, indicative of an indoor setting.

Dear Ani

For twenty-five years Keith Wasserman has made and delivered elaborate art mail packages – all in the hopes of befriending his muse. Dear Ani explores what can happen when you present your truest self, and risk total failure. It is an intimate account of psychotic mania, personal mastery, and creative triumph.

Three people are working in a garden during what appears to be the early morning, given the soft sunlight. They are all dressed in the same white garments while tending to the plants, which are in neat rows and supported by a wire structure. The lush greenery in the background suggests a fertile, well-maintained agricultural environment.

Seeds of Change

An organic farmer in Maine sets out to transform the prison food system. Filmed over the course of two years, Seeds of Change chronicles the intersecting stories of lifelong farmer Mark McBrine and several incarcerated men as they grow their own food from a five acre prison garden unlike any other.

A person's hand is gently touching the cheek of a large, unfinished sculpted head and shoulders. The sculpture is highly detailed, with lifelike facial features, and it is mounted on a stand. In the background, there is an assortment of artistic materials and another bust sculpture, indicating that the setting is likely an artist's studio.

Alive in Bronze

Sculptor Dana King’s hands and activist Fredrika Newton’s memories come together to build a new monument—a bust of Black Panther Party leader Huey P. Newton for the Oakland community that he loved and shaped. As the sculpture takes form, more than just a face is revealed.

A sunset over a desert cityscape with the sun low in the sky, casting a warm glow and creating a silhouette of the mountains in the background. There are outlines of buildings and palm trees against the light, and the foreground shows arid terrain with sparse vegetation typical of a desert. In the lower left corner, there's text that reads "HOW TO POWER A CITY," suggesting the image may be related to a documentary or educational content focusing on urban energy topics. The sky above is clear with minimal clouds, allowing the sunlight to dominate the scene.

How To Power A City

How to Power A City provides a front-row seat to communities battling fossil fuel dependence by bringing solar and wind projects to their hometowns. Filmed in six locations, the stories reveal how a diverse cast prevailed against myriad obstacles such as indifferent politicians, technical impasses, public ignorance, cost, and natural and manmade disasters. It is a solutions-focused climate story.

Guest in attendance, Q&A with Melanie La Rosa

A close-up image of a goose with its beak open, revealing the unique structure of its mouth and tongue. The serrated edges inside the beak are visible. The goose's black head with white markings is distinctive, and the texture of its feathers can be seen in detail. The background is blurred.

Modern Goose

Able to navigate by reading the Earth’s magnetic field, at home on land, air and water, geese straddle the territory between ancient instincts and the contemporary world. Combining beauty, humour and profound empathy, director Karsten Wall’s exquisitely observed film essay follows the daily life of these iconic animals to reveal a deeper message of continuity and connection.

A lone white plastic chair sits on a small, narrow balcony with green railings. The balcony is part of a building with a facade of large, beige stone tiles. The viewpoint is from an adjacent building, capturing the scene at a slight angle, which gives a voyeuristic glimpse into this quiet urban space.

A Short Film About a Chair

A lonely chair on an abandoned balcony, a photographer watching it days and nights, a strange thing happens that will change the life of the chair for ever.

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